We often say that a house is more than just a house. It is a home, a sanctuary; it is family; it is character, an identity, a friendship. And sometimes, it is also a work of art.
Villa La Gaviota is such a house – more than a masterpiece of architecture, it is a soaring sculptural expanse that pays tribute to the landscape and the sea, and the splendor that are the Altea Hills of Alicante. Appearing from above like a white flock of seagulls on the verge of flight, from within, La Gaviota nearly dances, a choreography of space and air and shelter, of light and shade and form.
“I think architecture, for good or bad, is very influential on human living,” explains Alberto Rubio, who designed La Gaviota – one of the first of his so-called “bird houses” – in 1998. “The idea is that a sculpture is thought of as something to be seen, but not lived in. My idea is that people have to live in the sculpture, and when you make your life in a sculpture house like this, then I believe your life changes.”
If the best art is a melding of inspiration and harmony, so, too, is a life lived inside such a work of art – a sculpture as house, as home, with the inspiring lines and harmonious curves, the gentle hues and sweeping embrace that is Villa La Gaviota.
No inside, no outside: like an Earth Work, the sculpture – the house – becomes one with the landscape, the earth, with the skyline of the mountains, the cliffs over the sea, the infinity of sky and air. “They open their wings to the view,” he says. “The bird is flying towards the views, always. It doesn’t fly backward. Always, it flies only forward.”
The Home And Its Creator
Born in Montevideo, Uruguay in 1954, Alberto Rubio moved to Mallorca at the age of 25. Much of his work reflects the joyous freedom of the region’s landscape; but it has been influenced, too, by his widespread travels, and by his innate understanding of the links that bind architecture, landscape, and culture. In this, he has said, he found particular glory in the architecture of Mexico, which he believes is “the best architecture in the world,” thanks to its spectacular colour, exquisite local craftsmanship, and careful detail.
La Gaviota, with its 700 square meters of living space stretched over 4,000 square meters of gardens and cliffs overlooking the sea, celebrates the marriage of Rubio’s loves – the craftsmanship and attention to colour and detail he reveres in the architecture of Mexico with the sweeping space and freedom of Altea Hills. The white and terra cotta hues of the home pay tribute, he says, to the colours of the Mediterranean: “They are the colour of the sea, the sky, the rocks,” he explained. But the use of colour itself, along with carefully crafted and often surprising details, are a homage to Mexico. Here and there throughout the house, for instance, an unexpected wave appears and reappears in the woodwork, a feature that echoes throughout the rooms in walls, in shelving, even in furnishings. “Little things can be so meaningful,” says Rubio. “So the idea is to add some little touches to call attention to certain pieces, and to remember that life is not such a serious thing.”
